Modern human origins, Paleolithic art, rock art

Variabilidad temática en el arte figurativo magdaleniense de la cornisa cantábrica: el caso de la sierra del Cuera (Asturias).

Rock Art (Archaeology) / Modern human origins, Paleolithic art, rock art / Upper Paleolithic / Cantabrian Palaeolithic

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Archaeology / Prehistoric Archaeology / Rock Art (Archaeology) / Archaeological Method & Theory / Religion and ritual in prehistory / Prehistoric Art / Modern human origins, Paleolithic art, rock art / Archeologia / Prehistory / Prehistoric Rock Art / Rock Art / Archeologia medievale / Archeometry / Prehistoric Archeology / Archeologie / Archéologie / Rock art research / Cupules / Archeology / Rock Art Study / Geo Archeology / Prehistoric Art / Modern human origins, Paleolithic art, rock art / Archeologia / Prehistory / Prehistoric Rock Art / Rock Art / Archeologia medievale / Archeometry / Prehistoric Archeology / Archeologie / Archéologie / Rock art research / Cupules / Archeology / Rock Art Study / Geo Archeology

ABAUNZA-URIONABARRENETXEA, A. (2015): Los inicios de la expresión gráfica en el Pirineo occidental y la Cornisa Cantábrica: bases cronológicas a partir de soportes mobiliares / The beginnings of the graphic expression in western Pyrenees and Cantabrian region: chronological bases... (CKQ, 5: 3-25)

Archaeology / Prehistoric Archaeology / Anthropology / Art History / Radiocarbon Dating (Earth Sciences) / Prehistoric Art / Mousterian / Aurignacian / Modern human origins, Paleolithic art, rock art / Upper Paleolithic / Gravettian / Cantabrian Palaeolithic / Antropología / Radiocarbon Dating (Archaeology) / Rock art chronology / Palaeolithic Art / Gravetiense / Auriñaciense / Expresion Grafica / Arte mueble / Portable Art / Proto-Aurignacian / Musteriense / Prehistoric Art / Mousterian / Aurignacian / Modern human origins, Paleolithic art, rock art / Upper Paleolithic / Gravettian / Cantabrian Palaeolithic / Antropología / Radiocarbon Dating (Archaeology) / Rock art chronology / Palaeolithic Art / Gravetiense / Auriñaciense / Expresion Grafica / Arte mueble / Portable Art / Proto-Aurignacian / Musteriense

VALORIZACIÓN DEL PATRIMONIO ANCESTRAL Y POPULAR ARTE RUPESTRE “LAS TRILLIZAS” PARQUE ARQUEOLÓGICO PIEDRAS DEL TUNJO, FACATATIVÁ, COLOMBIA

Cultural Heritage / Art Practice as Research / Heritage Tourism / Creative Industries / Technologies Applied to Cultural Heritage / Rock Art management & Awareness / Intangible Cultural Heritage (Culture) / Landscape / Modern human origins, Paleolithic art, rock art / Education and Cultural Heritage / Rock Art / Creative and Cultural Industries / Museography, Museology, Ethnographic Museums / Cultural and Educational Heritage / Cultural Heritage Valorisation / Rock Art management & Awareness / Intangible Cultural Heritage (Culture) / Landscape / Modern human origins, Paleolithic art, rock art / Education and Cultural Heritage / Rock Art / Creative and Cultural Industries / Museography, Museology, Ethnographic Museums / Cultural and Educational Heritage / Cultural Heritage Valorisation

Arte rupestre de contacto: la versión indígena de los encuentros interculturales en el noroeste de la Tierra de Arnhem (Australia)

Archaeology / Rock Art (Archaeology) / Modern human origins, Paleolithic art, rock art / Prehistoric Rock Art / Rock Art / Contact Period Archaeology / Rock art chronology / Contact Period Rock Art / Landscape and Rock Art / Australian rock art / Arnhem land rock art / Archaeology of Human Contacts / Arnhem Land archaeology / Contact Period Archaeology / Rock art chronology / Contact Period Rock Art / Landscape and Rock Art / Australian rock art / Arnhem land rock art / Archaeology of Human Contacts / Arnhem Land archaeology

EVIDENCIA DE TEMPRANAS MANIFESTACIONES RUPESTRES EN LA COSTA DEL DESIERTO DE ATACAMA (25° S) Evidence of Early Rock Art on the Coast of the Atacama Desert (25° S

Rock Art (Archaeology) / Modern human origins, Paleolithic art, rock art / Prehistoric Rock Art / Landscape and Rock Art / Dating of Rock Art

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